One World Romania

Full Program

DAY PROGRAM

Thursday, 19 May

17:30

Animistica-7'

ARCUB

Antarctic Traces-30'

ARCUB

Imperial Irrigation-20'

ARCUB

Landscape Damage-5'/9'

ARCUB

Paradise Later-13'

ARCUB

TRAFO-12'

ARCUB

18:00

A Night of Knowing Nothing-96'

CINEMA ELVIRE POPESCO

The Earth Is Blue as an Orange- 74'

CINEMA MUZEUL ȚĂRANULUI

18:30

Yoga for balance with Isha Foundation Romania

ARCUB

Energy communities. How green energy can change the world

ARCUB

Looking for Horses-88'

CINEMATECA EFORIE

20:00

Theater at OWR15

TEATRUL UNTEATRU

20:30

A.I. at War-107'

CINEMA MUZEUL ȚĂRANULUI

Little Palestine: Diary of a Siege-89'

CINEMA ELVIRE POPESCO

Splinters-70'

CINEMATECA EFORIE

918 Nights-65'

ARCUB

21:00

White on White-74'

CENTRUL CEH BUCUREȘTI

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13-22 MAI 2022
[ONLINE] 23-31 MAI

17:30

ARCUB
Strada Lipscani nr. 84 � 90, București
(+40) 217 953 602

Animistica

Animistica

Nikki Schuster

Austria, Mexico, Germany

2018

V.O.

No dialogue

subtitles

The film will be screened in the presence of:

Gerald Weber

Gerald Weber was born 1965 in Vienna, Austria. He studied History, Geography, Philosophy, and Film Theory in Vienna and Barcelona. He is the co-founder of "Projektor - Discussion forum on film, video, and new media" and co-organizer of the �Film-SUBJECT-Theory� international symposium (1996). SInce 1997 Weber has served as permanent staff member of Sixpackfilm and, beginning with 2004, as deputy CEO of the same company. He is also a curator of numerous film programs in Austria � film festivals, cinematheques, and other venues. In addition to all this, he gives lectures, hosts film discussions and workshops, and occasionally writes about cinema and media.

Antarctic Traces

Antarctic Traces

Michaela Grill

Austria, Canada

30'

2019

V.O.

English

subtitles

Romanian

The film will be screened in the presence of:

Gerald Weber

Imperial Irrigation

Irigație imperială

Lukas Marxt

Germany, Austria

20'

2020

V.O.

English

subtitles

Romanian

The film will be screened in the presence of:

Gerald Weber

Landscape Damage

Peisaj �n deteriorare

Siegfried Fruhauf

5'/9'

2002/2015

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

Paradise Later

Paradisul mai t�rziu

Ascan Breuer

Austria, Germany, Indonesia

13'

2010

V.O.

English

subtitles

Romanian

The film will be screened in the presence of:

Gerald Weber

TRAFO

TRAFO

Paul Horn

Austria

12'

2014

V.O.

German

subtitles

Romanian, English

The film will be screened in the presence of:

Gerald Weber

A Night of Knowing Nothing

O noapte de neștiință

Payal Kapadia

France, India

96'

2021

V.O.

Hindi, Bengali, English, French

subtitles

Romanian, English

CATEGORY

The Law of Nature: Prey and Predator

synopsis

Staged as a love letter by a young female student, Payal Kapadia�s debut is a subtle critique of the Indian society marked by the inequality of the caste system, racial prejudice, and the nationalist agenda of those in power. Carefully composed of exceptionally candid archival images, employed at the border between document and fiction, the movie follows, among other things, the protests and the hunger strike initiated in 2015 by a group of students in response to the appointment of a Hindu nationalist at the helm of their university. The students object to the government�s attack on public education, as well as against the discrimination and the persecution of the Muslim minority and the so-called inferior caste of the Dalits. While the suave voice of the enamoured woman speaks to her missing lover from off-screen, we witness violent clashes between the police and the protesters which are denounced by the images captured by the security cameras. The demonstrations bear a striking resemblance to those of May 1968, when several universities in Europe protested against governments and the Vietnam War. Constantly operating on the frontier between the personal and the political, between poetry and reality, this cinematic essay exudes an almost oneiric charm and nostalgia, as the love story cannot contain itself anymore and breaks out into the social struggles of the moment, which swallow up individual aspirations and freedoms. (Monica Stan)

* Adopted by: Funky Citizens

awards and festivals

Quinzaine des R�alisateurs 2021 - L�Oeil d�Or for Best Documentary

Toronto International Film Festival 2021 - Amplify Voices Award

RIDM, Canada 2021 - Special Jury Prize

IDFA 2021 - ReFrame Award for Best Creative Use of Archive

Camden International Film Festival 2021 - Cinematic Vision Award

LEFFEST 2021 - Best Film Award

Mar del Plata International Film Festival 2021 - Astor Piazzolla for Best Feature Film & MUBI Award for Best Film

DOC NYC 2021 - Winner�s Circle

FIDMarseille 2021

Viennale 2021

Ji.Hlava International Documentary Film Festival 2021

New York Film Festival 2021

DOK Leipzig 2021

New Zealand International Film Festival 2021

Athens International Film Festival 2021

Valdivia International Film Festival, Chile 2021

Ulaanbaatar International Film Festival, Mongolia 2021

Singapore International Film Festival 2021

BIEFF, Bucharest 2021

_________________________________

*After the screening there will be a discussion with the guest Cosmin Pojoranu (Funky Citizens)

18:00

CINEMA MUZEUL ȚĂRANULUI
Strada Monetăriei nr. 3, Bucureşti
(+40) 213 179 661

The Earth Is Blue as an Orange

Păm�ntul este albastru ca o portocală

Iryna Tsilyk

Ukraine, Lithuania

74'

2020

V.O.

Ukrainian, Russian

subtitles

Romanian, English

CATEGORY

This Ukraine Will never Stop

synopsis

A contemporary filmmaker cannot point their camera towards a war scene without having the awareness that the resulting images will be swallowed by a flux of almost identical images, which document violence and destruction committed concomitantly in other parts of the world. Iryna Tsilyk, the director of �The Earth is Blue as an Orange,� resolves this difficulty by focusing on a young Ukrainian girl�s film school admission � a major event in her life and her family�s, but which becomes insignificant when placed in the larger context of their existence, namely the fact that they live in war-torn Donbas. This apparent contradiction between micro and macro actually turns out to be a case of concordance, as the two spheres contaminate one another: the war without a doubt raises the stakes of the admission exam, because it represents a way to leave behind the uncertainty of daily life, punctuated by alarming news and night attacks; and the protagonist�s passion for cinema, as well as her determination, once admitted to college, to make a film about the situation of those who remained at home, is an occasion to re-experience, at times in a comical tone, other times with tears in one�s eyes and voice, the trauma caused by the conflict. Unlike the debutant filmmaker, who reenacts events directly linked to war, the camera which in turn observes her lingers over the rather unusual, insignificant details, which dwell in the fringes or in the interstices of the shooting itself, thus proving that what lies outside the frames of the images of war actually speaks most eloquently about it. (Liri Alienor Chapelan)

awards and festivals

Seattle International Film Festival 2021

Sundance Film Festival 2020 - Directing Award

Tallgrass International Film Festival 2020 - DOXX Spotlight Award

Ukrainian Film Critics Awards 2020 - Best Documentary

Dokufest International Documentary and Short Film Festival 2020 - Human Rights Award

Millennium Docs Against Gravity 2020 - Award for Best Cinematography, Bydgoszcz ART.DOC Award, Grand Prix Bank Millenium Award

Docudays UA International Documentary Human Rights Film Festival 2020 - DOCU/UKRAINE Award, DOCU/WORLD Award

Biografilm Festival 2020 - Hera Award

Reykjavik International Film Festival 2020 - Special Mention

Zurich Film Festival 2020 - Special Mention

Berlin International Film Festival 2020

S�o Paulo International Film Festival 2020

Minsk International Film Festival �Listapad� 2020

ZIFF.ZINEBI First Film 2020 - Award for best film

Angers European Premiers Plans Film Festival - Jury Special Mention

Al Este Central and Eastern European Film Festival - Best Film

18:30

ARCUB
Strada Lipscani nr. 84 � 90, București
(+40) 217 953 602

Yoga for balance with Isha Foundation Romania
Yoga pentru echilibru cu Fundația Isha

The focus of this year's festival on the connection between environment, body and mental health is the ideal context for collaborating with Isha Foundation, a spiritual organization founded by Sadhguru, which this year launched the "Save the Soil" campaign, a global movement designed to respond to the soil crisis.

Throughout the festival, we will organize a series of sessions of Yoga and Angamardana, the yogic fitness system. Each session will focus on a specific theme: physical health, mental health, immunity, well-being. At the intersection of these sessions is the harmony between body and mind, which the participants will practice, starting from the relationship with soil, as it is approached in specific Isha practices.

The Yoga sessions can be accessed by participants who register by filling out the registration form on the festival website, where information about each session will be available.

Guest: Roxana Luca - Isha Foundation Romania

* ARCUB, Studio Hall & Cafe Hall

18:30

ARCUB
Strada Lipscani nr. 84 � 90, București
(+40) 217 953 602

Energy communities. How green energy can change the world
Comunitățile de energie. Cum poate energia verde să schimbe lumea

Greenpeace envisions a greener and more peaceful planet, where people are closer to each other. To contribute to the way we live and appreciate this planet, one of the organization's missions is to promote renewable energy and energy communities.

Starting from these topics, Greenpeace Romania�s team will talk about decentralization solutions, what the advantages of becoming a prosumer are and how can energy communities bring us closer to the world in which we want to live. We will focus on how we can act as climate change accelerates rapidly, looking at the energy industry, which is considered one of the biggest polluters, and how we can produce energy, with a focus on community and decisions taken together.

Event organized in partnership with Greenpeace Romania

Guests: Maia Teszler and Olimpia Nicolae

* ARCUB, Arch Hall

18:30

CINEMATECA EFORIE
Strada Eforie, nr. 2, Bucureşti
(+40) 213 130 483

Looking for Horses

�n căutarea cailor

Stefan Pavlović

The Netherlands, Bosnia & Herzegovina, France

88'

2021

V.O.

Bosnian, English

subtitles

Romanian

CATEGORY

At Home in the Wild

synopsis

A boat and a camera. A fisherman and a film director in the middle of a deserted lake. There�s no need for words. The fisherman lost his hearing during the Bosnian War. The filmmaker, himself a Bosnian, but born and raised in the Netherlands, lost his mother tongue due to a speech disorder which marked his childhood. Language tears them apart, their vulnerabilities draw them together. The camera carefully and curiously mediates this unusual bond which blossoms among mysterious landscapes, somewhere at the border between dream and reality, memory and present. A friendship which transcends the barriers of senses, age, as well as personal histories, and is expressed non-verbally through the universal language of humanity. The fisherman takes on mythical proportions in the director�s eyes. He is not a marginal, a man rejected by society and exiled on a desert island on account of war traumas, but a misunderstood water god, whom nor waves, nor wind, nor storms can perturb in his journey, who lives just as freely as the wild horses grazing peacefully on the shores of the lake. (Monica Stan)

* Competition

awards and festivals

Trieste Film Festival 2022

Santa Barbara IFF 2022

Ismailia IFF 2022

Visions du R�el 2021 - Burning Lights competition, Best Feature Award

Sarajevo Film Festival 2021 - Special Jury Award, Competition Programme � Documentary Film

RIDM 2021 - International Feature Length Competition, Grand Prix

Corsica.Doc 2021 - Grand Prix

Festival international du film de Nancy 2021 - Special Jury Mention

IDFA 2021

FID Marseille 2021

Beldocs 2021

DOK Leipzig 2021

Ji.hlava International Documentary Film Festival 2021

MIDBO International Documentary Film Festival Bogot� 2021

Porto/Post/Doc 2021

This Human World 2021

Guangzhou Documentary Film Festival, the Golden Kapok 2021

20:00

TEATRUL UNTEATRU
Strada Sfinții Apostoli, nr.44

Theater at OWR15
Teatru la OWR15

17 mai, Teatrelli, ora 19.00 - Buy ticket

ENMITY v.2.0. There is Something Soothing in Giving People an Object of Their Hatred

written and directed by Gabriel Sandu

cast: Mihaela Teleoacă, Oana Pușcatu, Alex Mirea

video: Ana C�rlan

set design: Raluca Alexandrescu

music: Xenti Runceanu

light design: Ștefan Vasilescu

�A TEXT LIKE THIS, A SHOW LIKE THE ONE PERFORMED AT TEATRELLI IS A NECESSARY ACT, MAYBE EVEN SERVING AS A HEALING REPARATION.�

Alina Maer, scenasicuvinte.ro

The show questions how much is there truth or fiction in the documentary genre and explores what happens on an individual level when complicated stories are presented to the public in a simplified or even manipulative way.

An interdisciplinary show about the need for intimacy, belonging and the desire to control the story about ourselves, which we pass on to others.

The show brings to the fore three contradictory characters, linked together by a traumatic past: Ioana, a member of the former secret police (Securitate) and Nicolae Ceausescu's speech therapist, who becomes the main character in a documentary film by Alina. Between the two is Andrei, Ioana's grandson, a talented young man marked by loneliness and an anti-social path. Everything takes an unexpected turn when Alina's documentary film wins a major award.

Trailer here

www.teatrelli.com

www.facebook.com/teatrelli

www.instagram.com/teatrelli

____________________________________

18 mai, Teatrul unteatru, ora 20.00 - Buy ticket

TOT CE-I MINUNAT �N LUME, de Duncan Macmillan și Jonny Donahoe

CU: Denisa Nicolae

REGIA: Nicolae Constantin Tănase

SCENOGRAFIA: Adeline Andreea Bădescu

Sunt lucruri care �ți �nveselesc viața. Sunt lucruri pur și simplu minunate, pentru care merită să trăiești. O listă cu tot ce-i minunat �n lume. Un reminder pe viață că bucuria poate fi gasită �n lucruri aparent ne�nsemnate, dar care pot deveni minunate. Depinde din ce perspectivă privești lumea.

Povestea fetiței care �ncearcă să �și determine mama să vadă lumea prin ochii ei și ajunge să descopere un milion de motive pentru care viața este minunată se vede la unteatru.

____________________________________

19 mai, Teatrul unteatru, ora 20.00 - Buy ticket

CAPTAIN AMAZING, de Alistair McDowall

Cu: Liviu Romanescu

Regie: Nicolae Constantin Tănase

Scenografie: Tudor Prodan

Montaj Live: Ramona Chistruga / Bogdan Țolea

Univers sonor: Adrian Piciorea

Mișcare scenică: Teodora Velescu

Light Design: Dragoș Mărgineanu

Spectacol recomandat 12+

�Un spectacol senzorial, care trece prin filtrul afectiv al spectatorilor, care le traversează intimitatea cea mai profundă, căci fiecare suntem fiii și fiicele cuiva, fiecare am str�ns discuții nepurtate, �de ce�-uri insistente, �Captain Amazing� pune �n oglindă tocmai tensiunea și perfecțiunea sau idealul perfecțiunii, neputințele și dorințele, tatăl și fiica, boala și salvarea.� (artitudini.ro)

Captain Amazing arată puterea transformatoarea pe care o are paternitatea, actele zilnice de curaj și cum vulnerabilitatea poate fi privită ca o super-putere.

20:30

CINEMA MUZEUL ȚĂRANULUI
Strada Monetăriei nr. 3, Bucureşti
(+40) 213 179 661

A.I. at War

I.A. la război

Florent Marcie

France

107'

2021

V.O.

Arabic, English, French

subtitles

Romanian, English

CATEGORY

The Bruised Body of the Planet

synopsis

The documentary �A.I. At War� radiographs aesthetical, political, and geographical war zones. It does this in a very complex way, which is fully capable of rendering the remarkable density of the present, the origins of which lie, in fact, in a very simple mechanism. Indeed, journalist and director Florent Marcie�s flash of inspiration pertains to the �co-optation� of a cutely designed robot � a smiling face -, which accompanies him in various conflict areas (from the Middle East to the civil unrest which shakes the streets of Paris), where he travels with his camera. Let us not make hasty judgments, though: the robot is a very serious toy, one of the most technically advanced models of the moment, capable of integrating a variety of types of information in its virtual brain. Hence Sota, the robot, will soon become a reliable partner for the filmmaker � and his overly human reactions, since they cannot be faked, will represent the counterpoint (or the complement) of the extraordinary images we�re watching. Through this paradoxical alliance of forms of intelligence (natural intelligence sets the context, while the artificial one offers interpretations), �A.I. At War� affirms itself as one of those rare movies which shed deep insight on the current state of society, inventing a new way of looking at things, which questions everything without respite. (Victor Morozov)

awards and festivals

Montreal Independent Film Festival 2022 - Best Feature Documentary

CPH:DOX 2022

Viennale 2021

DocBsAs - Doc Buenos Aires 2021

Athens Avant-Garde Film Festival

Jeonju International Film Festival

20:30

CINEMA ELVIRE POPESCO
Bulevardul Dacia nr. 77, Bucureşti
(+40) 374 125 242

Little Palestine: Diary of a Siege

Mica Palestina: Jurnalul unui asediu

Abdallah Al-Khatib

Lebanon, France, Qatar

89'

2021

V.O.

Arabic

subtitles

Romanian, English

The film will be screened in the presence of:

Abdallah Al-Khatib

Abdallah Al-Khatib (b. 1989, Yarmouk) studied Sociology at the University of Damascus. He worked for the UN as coordinator of activities and volunteers, as well as for the UNRWA as coordinator of the Youth Support Center in Yarmouk. With several friends, he created the humanitarian aid association Wataad, which carried out dozens of projects in several regions of Syria, and in particular in Yarmouk. In 2016 he received the Per Anger Human Rights Award in Sweden. Abdallah currently lives in Germany, where he was recently granted refugee status.

CATEGORY

When the Rug Is Pulled from under Our Feet

synopsis

During the Syrian civil war, the Yarmouk district, where thousands of Palestinians used to live, became the scene of atrocious fights. The movie follows the destiny of several civilians during the siege, victims of a useless conflict they have no control over; a conflict they have been carrying as a burden for three generations. Shot by a refugee from the camp, the film gives us access to a world which would have otherwise been refused to us. In the camp, when people don�t die because of the bombs, they starve to death. In the aftermath of the siege people end up picking up grass in order to eat and walk in fear of not stepping on something which could become their food. Here children don�t dream of ponies and princesses � they dream of eating bread or a chicken sandwich. Eventually death ends up not scaring anyone anymore because, no matter how grim it might be, it only comes once, whereas what they experience repeats day after day. The film is, at the same time, a love song to freedom and, on the other hand, to a community which is determined to keep holding on and even to find some meaning in what�s happening to them. (Sorana Stănescu)

* Adopted by: UNHCR - UN Refugee Agency

awards and festivals

Torino Film Festival 2021 - Gli Occhiali di Gandhi Award

Hamburg Film Festival 2021 - Commerzbank Audience Award

Yamagata International Documentary Film Festival 2021 - Ogawa Shinsuke Prize

Guanajuato International Film Festival 2021 - Special Mention: Best International Documentary

S�o Paulo International Film Festival 2021 - Special Mention

ACID Cannes 2021

IDFA 2021

Visions du R�el 2021

Montreal International Documentary Festival 2021

BFI London Film Festival 2021

Festival international du film ind�pendant de Bordeaux 2021

20:30

CINEMATECA EFORIE
Strada Eforie, nr. 2, Bucureşti
(+40) 213 130 483

Splinters

Cioburi

Natalia Garayalde

Argentina

70'

2020

V.O.

Spanish

subtitles

Romanian, English

CATEGORY

The Bruised Body of the Planet

synopsis

A playful home movie. A girl is filming with her father�s camrecorder. Her mother chit-chatting with her relatives, her father smiling at the camera, her little brother monkeying around, the older girls with their teenage preoccupations, the lively parties, and the peaceful and stable existence of an apparently ideal family. The smiles of the parents and the children�s teasing induce a sense of safety. An explosion takes place - everything is shaken to its core and forever changed. People running on the streets, screaming and crying, fleeing in their cars. The girl doesn�t know what she�s witnessing � an attack, a bomb, a war, a natural calamity. With insane courage, she continues to film what will mark the definitive loss of her childhood�s paradise. Filmmaker Natalia Garayalde was 12 years old when the arms and ammunition factory in her city, Rio Tercero, exploded and caused a disaster of epic proportions in the community. More than 20 years later, the director returns to her natal city, rediscovers her family archives, and sets out to investigate the traumas of the past, which go beyond a simple accident, revealing the intricate threads of some obscure political interests and a colossal case of corruption. Through a deeply personal lens and through the prism of her family�s intimate universe, the author manages to distill a macro portrait of the political and economic intrigues in Argentina in the 1990s, the repercussions of which still make themselves felt today. The film is a unique cinematic testimony to the inseparable bond between the personal and the political, between the ordinary and the exceptional, between the corrupt past and the painful present. (Monica Stan)

* Competition

*Adopted by: Observatorul Cultural

awards and festivals

Jeonju International Film Festival 2021 - Grand Prize (International)

Olhar de Cinema - Curitiba International Film Festival 2021 - J�ri Abraccine

Viennale 2021

Sheffield International Documentary Festival 2021

Visions du R�el 2021

Hamburg Film Festival 2021

Reykjavik International Film Festival 2021

DocumentaMadrid 2021

Biarritz Amerique Latine Festival 2021

Mar del Plata International Film Festival 2020 - Best Director (Argentine Competition)

_________________________________

*After the screening there will be a discussion with the guest Cezar Gheorghe (Cultural Observatory)

20:30

ARCUB
Strada Lipscani nr. 84 � 90, București
(+40) 217 953 602

918 Nights

918 Nopți

Arantza Santesteban

Spain

65'

2020

V.O.

Basque

subtitles

Romanian, English

CATEGORY

At Home in the Wild

synopsis

In 2007 filmmaker Arantza Santesteban was arrested and sentenced to prison under the accusation of terrorism due to her affiliation to a party which fought for the independence of the Basque Country, a party which had been declared illegal by the Spanish government a few years prior. This documentary represents the testimony of the 918 nights spent in prison. What begins as a classic documentary on the violation of the freedom of expression imperceptibly turns into a personal exorcism process and an effort towards recovering the memories erased by the years of detention. The director tries to restore the past, but the few archival images from that era don�t seem to be enough. Neither narrative, nor dialogue, nor introspection satisfies her, and the movie becomes an almost frantic attempt at finding the truth which slips through her fingers. The movie alternates between confessions, memories, and intense moments of liberation from an incomprehensible present � an act of love between two women, a decadent night in the club -, which have no direct connection to the past, but are still overburdened by its traumas. When released from prison, Arantza is welcomed like a hero by the group of activists she used to be a part of. Paradoxically, the feeling of alienation persists and only intensifies as she regains the freedom she lost. Caught between the identity of a terrorist and that of a hero-martyr, and failing to recognize herself in any of these, the filmmaker escapes to Germany � a place where she can once again be a �nobody,� a �tabula rasa.� From the sphere of politics the film plunges into that of the personal, unfolding as a refined, yet unsentimental study of the way in which political and social identities smother the identity of the individual. (Monica Stan)

awards and festivals

Torino Film Festival 2021 - Best International Documentary

DocLisboa 2021 - Best International Competition Film

NOVOS CINEMAS. Pontevedra International Film Festival 2021 - LATEXOS Award

L'Alternativa. Festival de Cinema Independent de Barcelona 2021

21:00

CENTRUL CEH BUCUREȘTI
Strada Ion Ghica 11, București
(+40) 213 039 230

White on White

Alb pe alb

Viera Č�kanyov�

Slovakia, Czech Republic

74'

2020

V.O.

Slovak, English

subtitles

Romanian, English

CATEGORY

The Bruised Body of the Planet

synopsis

The film is a visual essay about the director�s experience of solitude during the shooting of her previous documentary (�Frem,� shot in 2017 and released in 2019) in Antarctica, the main character of which was an artificial neural network. In �White on White,� the dialogue with artificial intelligence continues, as it approaches themes pertaining to climate change, man�s relationship with nature, technology, art, and the meaning of life. Scenes from her daily routine at the research station are contrasted with lyrical images of the immaculate white of Antarctica and they are completed by the director�s commentary, thus creating an original vision and power of expression. Last but not least, it�s a film which transports you to a new place, in a new manner, which questions man�s relationship with the environment, as well as the hypocrisy of sending a ship with 300 tourists to Antarctica or consuming 300 litres of fuel every day in order to keep the research station going, to study precisely the way we destroy the planet. (Sorana Stănescu)

* Adopted by: Green Report

awards and festivals

Montreal International Documentary Festival 2021

Sheffield International Documentary Festival 2021

Ji.hlava International Documentary Film Festival 2020

_________________________________

*After the screening there will be a discussion with the guest Ioana Oancea (Green Report)

Animistica Animistica

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

awards and festivals

Antarctic Traces Antarctic Traces

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

awards and festivals

Imperial Irrigation Irigație imperială

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

awards and festivals

Landscape Damage Peisaj �n deteriorare

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

Paradise Later Paradisul mai t�rziu

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

awards and festivals

TRAFO TRAFO

V.O.

subtitles

The film will be screened in the presence of:

Gerald Weber

CATEGORY

Special program Sixpackfilm

synopsis

awards and festivals

A Night of Knowing Nothing O noapte de neștiință

V.O.

subtitles

CATEGORY

The Law of Nature: Prey and Predator

synopsis

awards and festivals

The Earth Is Blue as an Orange Păm�ntul este albastru ca o portocală

V.O.

subtitles

CATEGORY

This Ukraine Will never Stop

synopsis

awards and festivals

Yoga for balance with Isha Foundation Romania Yoga pentru echilibru cu Fundația Isha

Energy communities. How green energy can change the world Comunitățile de energie. Cum poate energia verde să schimbe lumea

Looking for Horses �n căutarea cailor

V.O.

subtitles

CATEGORY

At Home in the Wild

synopsis

awards and festivals

Theater at OWR15 Teatru la OWR15

A.I. at War I.A. la război

V.O.

subtitles

Animistica

Animistica

Antarctic Traces

Antarctic Traces

Imperial Irrigation

Irigație imperială

Landscape Damage

Peisaj �n deteriorare

Paradise Later

Paradisul mai t�rziu

TRAFO

TRAFO

A Night of Knowing Nothing

O noapte de neștiință

The Earth Is Blue as an Orange

Păm�ntul este albastru ca o portocală

Yoga for balance with Isha Foundation Romania
Yoga pentru echilibru cu Fundația Isha

Energy communities. How green energy can change the world
Comunitățile de energie. Cum poate energia verde să schimbe lumea

Looking for Horses

�n căutarea cailor

Theater at OWR15
Teatru la OWR15

A.I. at War

I.A. la război

Little Palestine: Diary of a Siege

Mica Palestina: Jurnalul unui asediu

Splinters

Cioburi

918 Nights

918 Nopți

White on White

Alb pe alb